The Psychology of Singing

 • PREFACE.

 

• CHAPTER I. TONE-PRODUCTION AND VOICE CULTURE

 

• CHAPTER II. BREATHING AND BREATH-CONTROL

 

• CHAPTER III. REGISTERS AND LARYNGEAL ACTION

 

• CHAPTER IV. RESONANCE

 

• CHAPTER V. EMPIRICAL MATERIALS OF MODERN METHODS

 

• CHAPTER VI. A GENERAL VIEW OF MODERN VOICE CULTURE

 

• CHAPTER I. MECHANICAL VOCAL MANAGEMENT AS THE BASIS OF VOICE CULTURE

 

• CHAPTER II. THE FALLACY OF THE DOCTRINE OF BREATH-CONTROL

 

CHAPTER III. THE FALLACIES OF FORWARD EMISSION, CHEST RESONANCE, AND NASAL

 

RESONANCE

 

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• CHAPTER IV. THE FUTILITY OF THE MATERIALS OF MODERN METHODS

 

• CHAPTER V. THE ERROR OF THE THEORY OF MECHANICAL VOCAL MANAGEMENT

 

• CHAPTER I. THE MEANS OF EMPIRICAL OBSERVATION OF THE VOICE

 

• CHAPTER II. SYMPATHETIC SENSATIONS OF VOCAL TONE

 

• CHAPTER III. EMPIRICAL KNOWLEDGE OF THE VOICE

 

• CHAPTER IV. THE TRADITIONAL PRECEPTS OF THE OLD ITALIAN SCHOOL

 

• CHAPTER V. EMPIRICAL KNOWLEDGE IN MODERN VOICE CULTURE

 

• CHAPTER VI. SCIENTIFIC KNOWLEDGE OF THE VOICE

 

• CHAPTER I. THE CORRECT VOCAL ACTION

 

• CHAPTER II. THE CAUSES OF THROAT STIFFNESS AND OF INCORRECT VOCAL ACTION

 

• CHAPTER III. THROAT STIFFNESS AND INCORRECT SINGING

 

• CHAPTER IV. THE TRUE MEANING OF VOCAL TRAINING

 

• CHAPTER V. IMITATION THE RATIONAL BASIS OF VOICE CULTURE

 

• CHAPTER VI. THE OLD ITALIAN METHOD

 

CHAPTER VII. THE DISAPPEARANCE OF THE OLD ITALIAN METHOD AND THE DEVELOPMENT OF MECHANICAL INSTRUCTION

 

• CHAPTER VIII. THE MATERIALS OF RATIONAL INSTRUCTION IN SINGING • CHAPTER IX. OUTLINES OF A PRACTICAL METHOD OF VOICE CULTURE

 

 

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